Recently, I wrote an opinion piece for a well-known video game website, Polygon.
The article recounts my experience with a long-awaited game, The Last Guardian, and the parallels I drew between it and our bond with animals during a trying time in my life. It’s an analysis of the game’s design as much as it is a personal essay and investigation into the ways we all encounter animals in need. Here’s an excerpt from the piece:
The Last Guardian doubles as an interactive metaphor for the discovery and rehabilitation of animals in situations of abuse or neglect. For being such a fantastical setting, it plays host to a cautionary tale that is grounded in reality. By offering us an extended glimpse into an abused animal’s perspective, The Last Guardian asks us to empathize: What does it mean to spend time in their environment? How are they a product of it, and how much can they change?
The full article can be found here, and I invite you to share your own story and/or takeaway from The Last Guardian.
As a reflection on the Playstation 4’s launch, I wrote an article for GamesBeat about the relevance of the original Crash Bandicoot trilogy in 2013. In essence, it’s about how what worked for Crash in the late 90’s might also be what the series needs today, should it ever finally return.
GamesBeat has since promoted and republished the article, which I thought I’d forward and share an excerpt from here:
In some ways, Crash Bandicoot 2 shares a philosophy with the puzzle-platforming series Portal. You’re given what moves you absolutely need near the very beginning and nothing more for the rest of the adventure. From there, it’s up to the level design and the game mechanics to play off each other to keep things interesting. Jumping, spinning, belly-flopping, crouching, and sliding are all you have to get from point A to point B. Granted, there are a few exceptions (like transports of some manner), but Crash himself never fundamentally changes.
Instead, the levels subvert your expectations by presenting you with interesting challenges based on what you already know. Suddenly, there are more dangerous crates to break open, so how do you move around them in a 3D space? A few levels flip your sense of direction, either having you running toward the screen and away from an agitated bear or moving along it like a traditional side-scroller. When moving forward starts to feel boring, you find yourself riding atop an untamable polar bear cub at top speeds or following fireflies down dark paths, making the game feel like an endless runner or a relay race at night.
But at no point in any of the above scenarios are the game mechanics altered beyond recognition. At its most abstract and arguably its best, Crash Bandicoot is purely about playing with familiarities in the platforming genre.
Here’s a link to the full article on GamesBeat »
(Thanks to Stephanie Carmichael from GamesBeat for promoting and editing the article.)
“We realize people do not care about the size of these boxes, they hide them anyway. So we made a cube.”
– The Verge’s Ross Miller (from a live recap immediately following Sony’s Playstation 4 announcement)
Miller may have been playing the role of a Sony executive in the above joke, and maybe Sony executives have actually said something like it behind closed doors. Either way, they’d both be right.
We don’t often associate the word “computer” with the word “easy”, as easy as “a cube” makes it sound. Companies like Apple, Google, and even Microsoft now are spending most of their marketing and design budgets trying to remedy this stigma (and sometimes go too far). Meanwhile, boxes that were built to be more straightforward (video game consoles, for example) have been doing the opposite, spending the past decade-and-a-half adding features that first appeared on traditional computers: disc-based drives, the internet, buddy lists, digital markets, social networks, YouTube, etc.
Every other hardware developer may be going in the opposite direction of their competitors, but their compasses will eventually lead them all to the same place.
Continue reading The Clone Wars: PS4 & The One-Console Future